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Fever of animals by Miles Allinson: 16 Feb, 2017

Miles has come to Europe on the trail of the Romanian surrealist who disappeared into a forest in 1967. In trying to unravel the mystery of Bafdescu’s secret life, Miles must also reckon with his own.

As he waits for someone who may never appear, Miles is chased by thoughts of his ex-girlfriend and the trip they took that ended their relationship. Fever of animals is, at its heart, a meditation on art and grief.

Miles Allinson will join us for a Q&A on Thursday, 9 February between 8 and 9pm. Please leave any questions you have below. (And discuss the book at your leisure!)

Want to buy Fever of animals? Receive 10% off when purchasing it from Readings at State Library Victoria. To receive the discount online, enter the promo code BOOKCLUB in the promo code box during online checkout. To receive the discount at our State Library bookshop, simply mention the Thursday night book club at the counter.

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Hi Miles, great to have you here for #booksonthursday Can you tell us a little about your research process before you start to write?

Thanks Sarah,

My research begins with very little Idea of where it's going. For instance, After Fever was picked up i was asked to present a synopsis for another book. I didn't have an ideas for another book - I'd barely finished the first one. So I just read the blurbs from a hundred books and then chose random words from there to describe my own ( at that stage non-existent) book. And at least I had a beginning. Then I slowly crawled away from that idea toward something I thought was potentially more interesting. Mostly i just try to stay in that slightly anxious but quite exciting state of uncertainty for as long as possible. That's when anything might happen. Gradually though you have to start coming down to earth and discarding things. Making choices. Choosing tense. Eventually you have a dream which reveals an important and glaring image. Then you start digging in the archives. I do a lot of digging and just hoping something will turn up.

Thanks 😊 I do a lot of digging too, hoping something will turn up soon!

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Hey Miles, I just saw on Twitter that you did one of SLV's fellowship programs. How was the experience? What was involved? And was Fever of animals the outcome of the fellowship?

Hi Laura,
thanks very much for writing. I'm still experiencing that experience because it's still going - I'm doing some research at the
moment into a bunch of freaks from the 70s - some of whom were my father - so to speak, and trying to write a new novel with the evidence. The fellowship is pretty much the best thing. I can't believe it's real most days.

My advice is to be specific about what you want to research and make sure the library has the stuff. And also, be passionate about what you want to research. I'm pretty sure passion wins.

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Hi Miles ! I'm wondering where you end and where your character Miles begins? Would you say that the writing experience was any more immersive given that you have acknowledged that connected relationship up-front with the choice of your character's name?

Hi Hannah. Thanks very much for writing (are you my cousin?)

I would like to say that we are divided roughly in the middle and that he has the legs and that I have the arms, but that may not be precisely true. I think we are more like a turtle and that he is the hard shell and I am the soft inner jelly-like body.

But really, I'm only being partly silly. it's very hard to say, is the answer and part of the point of the novel is to for the reader to be caught in the middle.

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What's the hardest part about writing for you? And how do you overcome it?

Hi James,
at the moment I'm doing a lot of research - driving out to meet people and interviewing them. I find myself procrastinating and putting it off for some reason until I completely despise myself. Only When I despise myself sufficiently can I actually pick up the phone and call to arrange another interview. For some reason that's the hardest thing at the moment. But that's probably not a very helpful answer because it's so specific to this project.

More generally, I find dialogue hard - and finding the points to break dialogue up to give a scene a sense of time and space and rhythms is particularly arduous work for me. That's the other thing I'm doing at the moment. Figuring out how to turn real conversation into compelling dialogue. That's hard.

Yep I'm a master at procrastination and then hating myself for it. I spend so much time researching when I know I have everything I need but then almost afraid to put pen to paper. So back to the archives I go.

I think that seems part of the job. Which is maybe a shame - but also - maybe we should accept it too - acknowledge that an important part of saying anything meaningful is living with the fear that it won't be meaningful enough. Kafka said a good thing about writing in the darkness - which just came to mind and is maybe slightly applicable - he said darkness isn't dark enough. Did nick cave quote that too somewhere?

Most likely, the true prince of darkness himself. I'll endeavour to break through the fear, slowly

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